Month: December 2006

Nigel Warburton interviews Richard Norman and asks why he rejects the idea that God exists. Norman gives a good clear succinct answer that would cut through a lot of the disputes that keep turning up like clumps of dust under beds.

I believe that the onus is on those who believe in the existence of a god to provide reasons for that belief. (This is a point which the philosopher Antony Flew has well made.) I can’t prove that there is no god, but in the absence of good reasons for believing that a god exists, I live my life without belief in a god. In particular, the success of scientific explanations of the natural world makes religious explanations redundant. It’s in that sense that there is a tension between science and religion. The two are not logically incompatible, but the more we succeed in discovering well-founded scientific explanations of the origins of the cosmos, the origins of living species, and so on, the more the explanations in terms of a divine creator become redundant. They add nothing.

There. Quite simple really. We can’t prove there is no god, but in the absence of good reasons for believing there is one, we don’t. There are good explanations of the natural world, so the religious ones are redundant. They add nothing. So – we do without them. That’s all.

Ken Livingstone offered a Millian version of multiculturalism in the Indy yesterday.

Multiculturalism versus its opponents is simply one manifestation of the age-long struggle between liberty and its opponents. It is not about personal differences of opinion but between the values of an open and a closed society.

Yes but which side is for the values of the open society and which is for those of the closed? Things don’t necessarily line up the way Livingstone claims.

The foundations of liberalism and multiculturalism were outlined with great clarity in what is justifiably the most famous political essay in British history, John Stuart Mill’s On Liberty…Every individual who exists is unique, and wishes to pursue their life in a different way. The individual must be able to choose for themselves…Multiculturalism has nothing to do with an assertion that there are no universal values. The very statement that people should be able to do only such things that do not interfere with others is clearly an assertion of a universal value. It merely states that insofar as they do not interfere with others, people should be able to choose freely which values they wish to pursue and they may not have these imposed on them…What is prohibited is one group or person imposing their will on others…Female genital mutilation is another such imposed act of violence and equally should not be tolerated.

Good; admirably clear and forthright; but that’s not actually what everyone understands by multiculturalism, and that’s why multiculturalism has opponents who are in fact not enemies of the open society. There are cultures – and they are neither few nor obscure – which do not agree that all individuals must be able to choose for themselves; on the contrary. That being the case, multiculturalism does not have quite the same freedom-loving ring to it that Livingstone seems to think it does.

Update: article in Guardian about Livingstone’s attack on Trevor Phillips.

Nigel Warburton has a very interesting guest post by Richard Norman on the ‘Whether Atheists Can Appreciate Religious Art’ topos. Norman talks about Piero della Francesca’s ‘The Resurrection,’ which his comment caused me to look at again. It’s a terrifically interesting painting; I already thought so, but the discussion intensifies that thought (as such discussions tend to do, which is one huge reason art criticism and literary criticism are not footling wastes of time); it also made me think about why.

Some of what Norman said:

The assumption here is that the truth presented by a religious work of art must itself be a religious truth. That is what I want to question. Of course Piero’s painting is a depiction of the resurrection, but it does not give us any reason for believing the claim that Jesus rose from the dead. How could it do so? (It’s not as though it were photographic evidence or anything of that sort.) The truths which it conveys are human truths, truths which help us in the understanding of our human condition…And that is specifically a truth about human beings, because the features of the work which convey it are the recognisable human characteristics of the figure rising from the tomb.

Yeh. I’ve been claiming something similar in the earlier thread on atheists and appreciation of art – that paintings about some part of the story of Jesus interest us or move us for human reasons rather than specifically religious ones. As an atheist I am in fact left cold by paintings of Mary ascending into heaven amid blasts of trumpets (yes, those are painted blasts), for instance, but not, as I mentioned last week, by the supper at Emmaus, which is very human.

Piero’s painting is enthralling in somewhat the same way as ‘Las Meninas’ – maybe partly for the same reason – Jesus fixes us with his cold straight gaze in just the way Velasquez does in Las Meninas. We feel seen: pinned: examined: weighed in the balance and found – we know not what. He’s uncomfortable to look at – in fact he looks slightly fanatical (well he would, after all that) – and perhaps that telltale reaction is exactly the wrong, ‘atheist’ one that does get in the way of my proper appreciation. But then again perhaps not, perhaps it’s just a variation in preference: I would surmise that a lot of religious people prefer their Jesus with a different expression. Some want him angry, militant, dividing the sheep and the goats; others want him meek and mild; others want him looking like a mensch. Is that religion or just de gustibus?

Back to Richard Norman.

The truths conveyed by The Resurrection are also to be found in the figures of the sleeping soldiers at the base of the tomb. Again the truths are conveyed in the significance of the poses and expressions of the human figures. They say something about the propensity of human beings to miss the miracles that are going on in the world around us – in this case, to be oblivious to the transformation and renewal of human life, and to the corresponding transformation and renewal of the natural world, as represented by the change from the bare trees on the left of the picture to the new growth on the right…The general point is that the truths conveyed by great religious works of art are human truths.

I’ve always loved the sleeping soldiers – slouched and snoring away while miracles happen all around. We’re all the soldiers, crumpled, shapeless, all anyhow, of the earth earthy, while Jesus is almost rectangular in his uprightness and straight-aheadness and his chilly stare. I can appreciate the painting (I think), despite being an atheist, in the same way I can appreciate the presence of the ghost in Hamlet despite not being a ghostist. They work almost like thought experiments, such works; we have to (and we do, at least we can) think our way into them. It has to do with imagination. The Romantics would probably have thoght it was downright heresy to think imagination has no power to help atheists appreciate religious art.