Author: Ophelia Benson

  • Ersatz Magic versus the Real Thing

    A.S. Byatt ponders why adults are so smitten with Harry Potter.

  • How to Avoid Pop Culture

    In these dark times holding out against the constant barrage of pop culture
    has become more challenging than surviving a succession of carpet bombings.
    Pop music seeps and swells from the ceilings and nooks of shops, offices, and
    coffeehouses. Television sets are now permanent fixtures in airports, post offices,
    saloons, and doctor’s offices – in fact, one dangled precariously above me as
    I suffered a recent root canal, tuned to Oprah no less, which was far
    more painful than the surgery itself. I commenced to pray the set would dislodge
    from the ceiling and put me out of my misery, but Yahweh spared me – evidently
    to continue His good work.


    So much of popular culture is so indescribably bereft of good taste that
    a thinking man will attempt to isolate himself from it whenever and however
    possible. This, unhappily, is getting increasingly difficult to manage. It is
    naturally assumed not only that we poor saps queuing in line need constant diversion,
    but that we need infantile diversion of the worst kind. The relatively harmless
    elevator music that once unassumingly infected public spaces has been supplanted
    by commercial radio with its jackass disc jockeys and morning "zoos,"
    while classical music is now wielded primarily as a weapon to drive loitering
    and horror-stricken teens from parking lots. On the boulevards and byways one
    finds insipid advertisements plastered to every imaginable surface, moving and
    sedentary, human and inanimate. These days one moves in and out of pop culture
    the way one dodges raindrops in a downpour. Against such overwhelming odds,
    one has no choice but to hoist the white flag and lay downs one’s arms. Vulgarity
    and boorishness have won the day.


    It is unfortunate that in order to avoid the indecencies of pop culture one
    must isolate oneself like a medieval monk in a Carpathian monastery; a monk
    with a remote hopelessly surfing through hundreds of television channels, reeling
    up and down the radio dial in a vain attempt to find some offering that only
    mildly offends. Happily there are still enough decent books published, enough
    tolerable music being recorded, a few passable newspapers and journals printed
    so that one can stop his ears to the siren song of pop culture’s pimps.


    I find noteworthy new music not by listening to KY-98, but rather by reading
    reviews, and through the old reliable word of mouth, the same way I hear about
    good films and good books. In this way, criticism is essential to my well-being,
    and one first-rate critic is to me worth a hundred artists, if only for the
    time and money the former saves me by sifting out the chaff.


    But pop culture is far more insidious than mere TV and radio. It is films and
    fashion, it is magazine fare and performance art, it is dance and design. These
    too are impossible to avoid completely, particularly fashion – or its absence
    – which has morphed into a perfidious form of advertising one might call fadshion,
    for lack of a better word. Avoiding dance is as simple as avoiding dance clubs,
    which is easy enough for a middle-aged homebody like myself. And as for magazines
    and films, one learns to be selective, which is the one essential criterion
    in a society where overabundance and choice are supreme.


    Indeed the very term pop culture may just win the award for the most absurd
    oxymoron. There has never been anything sophisticated, cultured or cultivated
    about popular taste. Take rap musician Snoop Doggy Dogg. Granted, Snoop is the
    coolest human being alive. Far cooler than me. Far wealthier than me. Am I jealous
    of Snoop? Damn right. And yet what Snoop does in the recording studio has nothing
    to do with culture; and yet what Snoop does is somewhat legitimized by the term
    pop "culture." Sorry, but Snoop doesn’t deserve it. Culture, said
    a very cultured fellow, Matthew Arnold, is "to know the best that has been
    said and thought in the world." Elsewhere, in the same vein, he said, "Culture
    has one great passion, the passion for sweetness and light." Knowing the
    best that has been said in the world is rarely associated with the masses, who
    seldom know what even they are saying (let alone thinking). And as for
    sweetness and light, the only light Snoop gives off is the one from his crack
    pipe.


    What we are really describing then is a form of popular entertainment,
    not culture, and if we need a word to describe this I suggest Dwight Macdonald’s
    term masscult, which has a slightly malicious sound to it that appeals
    to me. It may seem silly to make distinctions between good and bad masscult,
    and yet that’s exactly what we do all the time. The Clash are good, P. Diddy
    is bad. Old Paul McCartney is good. New Paul McCartney is bad. How much easier
    to say all masscult is bad and be done with it. But we can’t. I love the Clash,
    despite their undeniable lack of culture, class and teeth.


    Macdonald also described a third level of culture he called "midcult,"
    or the culture of the new state-college-educated middle-class suburbanites,
    who occupy the no-man’s land midway between the masses and the highbrows. I
    suspect Macdonald gives the middle class too much credit for brains. My own
    feeling is that Macdonald’s midcult is nothing more than the best of bad popular
    culture, and what has happened is that contemporary pop culture has gotten far
    worse than anyone ever believed possible. Take television. In the 1950s, NBC
    had its own orchestra led by the greatest director of the day, Toscanini. Nowadays,
    NBC has Fear Factor on which we are invited to watch bikinied bimbos
    eat bugs.


    I’m inclined to think there are rather two levels of mass culture that we might
    profitably call low mass and high mass. If these terms do nothing
    else they at least succeed in disassociating the words popular and mass from
    the term culture. As you might expect, it is low mass that I find so annoying,
    so troubling, so irritating, and it is low mass that I try desperately to avoid.
    Then again, it is high mass that I am most comfortable with, that speaks to
    me, not in the lofty, intellectual manner of high culture, but in the warm,
    friendly tones of a sympathetic companion. I may occasionally dip a toe into
    high culture, take in a production of Lear, reread Beckett’s Watt,
    put on Gould’s Bach Goldberg Variations, but I find the water a bit warm
    for my liking and can only take it in short spurts.


    This is unfortunate because it is precisely high culture that allows us to
    "become all we are capable of being; expanding, if possible, to our full
    growth, which is the law of culture," to bring in Thomas Carlyle. High
    mass does nothing but briefly entertain us. Low mass corrupts.


    If the U.S. seems backward culturally, it is small wonder. Its democratic leaders
    give very little weight to high culture; even in its colleges and universities
    there is little encouragement "to know the best that has been said and
    thought in the world," as schools have generally moved from educating young
    men and women to job training. What pittance the government doles out to support
    the arts often goes to low mass institutions and other forms of popular entertainment,
    since that is what the majority of voters long for.


    There is, I suspect, an undeniable pleasure, a rank smugness in being in the
    high mass minority, just as I suppose those in the high brow minority are doubly
    smug. Smugness, to my mind, is a greatly under-rated amusement. If one must
    be continually annoyed by pop culture – and I see no alternative to this in
    the near future – one may as well get some pleasure out it.

  • Rashomon is Fiction, the Friedmans are Real

    Postmodern ambiguity as marketing ploy, and how gullible reviewers help.

  • Larkin Wasn’t Cuddly

    Misogynist, racist, hated children, pessimistic, and deeply drunk. So?

  • Private School or State School?

    Adam Swift and Anthony Seldon debate issues of fairness and positional goods.

  • Private School After All

    State school is better socially, but what of children who want to do sums now?

  • Argument Over Academic Boycott of Israel

    Oxford professor rejects Israeli student, and is now being investigated.

  • The Weather

    The stuff of small talk and of survival, and all is not well.

  • ‘Somebody with a Doctorate’

    Well, this is what I’m always saying. This is where anti-elitism gets you. Influential political operatives who are not ashamed to sneer at education.

    Why this administration feels unbound by the consensus of academic scientists can be gleaned, in part, from a telling anecdote in Nicholas Lemann’s recent New Yorker profile of Karl Rove. When asked by Lemann to define a Democrat, Bush’s chief political strategist replied, “Somebody with a doctorate.” Lemann noted, “This he said with perhaps the suggestion of a smirk.” Fundamentally, much of today’s GOP, like Rove, seems to smirkingly equate academics, including scientists, with liberals.

    And hence with really terrible people. The GOP could of course look at it another way – they could wonder why people with more education tend not to be of their party, they could pause to wonder what that says about their party. They might wonder what people have learned, that tends to make them dislike right wing parties. That would be one reasonable reaction. Or they could do what they are in fact doing, they could be certain in advance that dislike of right wing parties can’t possibly be well-founded and that therefore any activity that tends to promote such dislike must be corrupting and polluting. Hence higher education is a bad thing.

    And then of course that has the incalculable added benefit of giving an entirely spurious but tragically convincing aura of populism to the party of tax cuts for the rich, so that people who make too little money even to pay taxes vote GOP all the same in the illusion that the GOP is on the side of Just Plain Folks and against elites. Stark nonsense. The GOP may pride itself on sneering at people with doctorates, but it’s very much in favor of elites.

  • Fiedler’s Legacy

    “Do you still believe that st-st-stuff about Huck Finn?” asked Hemingway.

  • Orwell Bash

    Contradictions, inconsistencies, and life-risking commitment to the truth.

  • The Bush Administration Versus Scientists

    To Karl Rove, a Democrat is ‘someone with a doctorate’…and that’s not a compliment.

  • Caring and Sharing

    Now, language is an interesting subject, isn’t it? So much of what we talk about at B and W comes down to language – well it would, wouldn’t it, since we’re talking about what gets written and said in academic ‘discourse’ and ‘texts’. Naturally it’s language, what else would it be, mud pies? But it’s interesting all the same.

    I mentioned Deborah Cameron the other day, after hearing her with Richard Hoggart on Thinking Allowed. A friend sent me a link to this article of hers, which is an excellent read. Also quite amusing in places.

    In the past, the habit of talking about oneself was almost universally decried as impolite, immodest and vulgar. Today’s experts, by contrast, do not regard self-effacement as a virtue…As BT’s ‘better conversations’ booklet puts it: ‘Unless you’re able to recognise your own feelings, you won’t be able to express them clearly and be open with other people.’

    Well, maybe, but so what? What makes us all think that other people want us to be open about our feelings? How do we know they don’t want us to shut up about our wretched feelings and talk about something more interesting? Hurrah for people who are closed, and not only don’t express their feelings clearly, but don’t express them at all. Granted, that’s a slight exaggeration. Here I am expressing a feeling right now: exasperation. I’m very clear and open about it; aren’t you pleased?

    Multinational corporations may require their employees to import the American English preference for informality into languages like Hungarian, where the distinction between formal and informal address is more strongly marked in the grammar (and where formal address would be the unmarked choice for the context).

    Tell me about it. I often feel like a Martian in my own land. Oddly enough, I don’t like it when complete strangers telephone me to sell me something, and to start things off call me by my first name and ask me how I am. I must be Hungarian then.

    Will we all consent to become the caring, sharing, self-reflexive, emotionally literate communicators who are currently idealized in both expert and popular literature? Or might we have our own ideas about what makes it ‘good to talk’?

  • Hand-holding

    I have one or two more thoughts on this matter of scientific literacy that we were discussing last month (that is to say, yesterday), inspired by this article on the CSICOP website, which was in turn inspired by a pair of articles in the Guardian.

    One thought, which I touched on but in a jokey not to say flippant manner, has to do with how manipulative and touchy-feely and sub-rational it all seems. The public feels this and feels that, and the public feels this or that because we do things to make them feel that way. We hold their hands, we flatter them, we plant moist kisses on their cheeks, we tell them we really value their opinions. Is this not a little creepy? A little like the way we talk to six year olds who need a nap? Or the way advertisers and ‘Public Relations’ experts and real estate agents and political operatives and indeed politicians themselves talk to us? There are books and expensive seminars on how to do that kind of thing, how to tickle people’s sensitivities and nudge their fears and activate their prejudices in order to get them to do what we want. Hitler was good at it and the nice people who sell everyone enormous SUVs are good at it, too, but are those really examples of how we want scientists to talk to us? We all become like poor stupid drugged Linda in Truffaut’s movie version of ‘Fahrenheit 451’ thinking the nice man in the giant TV screen is really talking to her. ‘And what do YOU think, Linda?’ ‘And what do YOU think, Public?’ ‘Montag, look, they’re talking to me, they want to know what I think!’

    The other thought has to do with some unexamined assumptions. Or some sacred cows, would be another way of putting it. Especially the assumption that the public already knows enough about science to make decisions about it. All the public, apparently, all six billion plus of us, infants included. How did we get that knowledge? Were we born with it? Is it innate? Do we just kind of breathe it in, or get it by osmosis? Susan Greenfield puts the matter this way:

    Or could the “it” be that I was implying, however covertly, a patronising attitude to an otherwise Renaissance general public, who are already, as Turney avows, clear minded and up to speed with the subtleties and problems facing the integration of science with society? This mindset is, of course, in the focus-group-anti-elitist spirit of our age.

    Exactly. The public must be universally wise and reflective and knowlegeable enough, because that’s the only decent thing to think. If experience and evidence contradict that happy thought, well, experience and evidence must be elitist, so we’ll just pretend they don’t exist.

  • The Reptile Brain

    I’ve had one or two further thoughts about Deborah Cameron’s ‘Good to Talk’ article.

    And the relevance of this to the subject of conversation is that intimacy must be created and sustained to a large extent through a particular kind of talk, involving continuous mutual self-disclosure. The modern cliché ‘they just couldn’t communicate’, proffered as an explanation for the break-up of a marriage or other significant relationship, does not imply that the parties never spoke or that they found one another’s conversation unintelligible. Rather it implies a lack of honesty and emotional depth in their exchanges—a failure by one or both individuals to share their feelings openly and express their true selves authentically.

    This is all true, and good stuff, but there’s a further aspect Cameron doesn’t go into (at least in this article). Why is self-disclosure and the authentic expression of our true selves purely emotional? Why is it only feelings and emotions that we’re supposed to reveal, disclose, express, communicate, converse and talk about? When how and why did we decide that the true authentic hidden-until-expressed self is purely emotional? Why aren’t our thoughts and ideas part of our selves too? Why can’t self-disclosure be cognitive as well as or even instead of emotional?

    It’s interesting to note, for one thing, that if we did understand the self that way, the tacit or covert preference for the putative female style of communication might disappear.

    The main premise of the ‘Mars and Venus’ literature is exactly the one restated by BT—that men are far less at ease than women with self-revelation and the verbalizing of emotional states…But in a culture that places emphasis on self-reflexivity and the creation of intimacy through self-disclosure, it is entirely logical that the (real or perceived) asymmetry between women and men should come to be apprehended as a serious problem. It is also logical that the problem should be seen to inhere primarily in men’s behaviour—for despite the efforts of authors like Deborah Tannen to present the sexes as ‘different but equal’, comments like the one quoted above from BT suggest an implicit common-sense belief in female communicational superiority.

    If women are boringly and claustrophobically assumed to be better at communicating their feelings, men are perhaps assumed to be better at communicating about ideas. All too often that is seen as a flaw – a sign of how emotionally crippled and stunted men are compared to honest, open, in touch with their feelings women. Well that’s one way to look at it – but then, another way is that it’s women who are crippled and stunted, unable to get their heads out of the boring egotistical sludge of their own personal feelings and think about something more important.

    When how and why did we decide that feelings are better than thoughts? And not only better but also somehow more real, more honest, authentic, internal, of the self? I wonder if it has to do with benevolent impulses toward egalitarianism and inclusiveness. Perhaps we’re afraid that not everyone has much in the way of thoughts and ideas, but we’re pretty sure that anyone can have feelings – it’s simply a matter of ‘getting in touch’ with them. So we convince ourselves that the core of our being is emotions, and that thoughts are some sort of aristocratic artificial overlay, an external frippery and decoration that disappears when the going gets tough; and then we convince ourselves that the core is the part that counts and the overlay is a slightly suspect sophistication or adulteration or pollution. So we end up coercing each other, with the best of intentions, to distrust the cognitive and overtrust the emotional. We get atrophied intellects and hypertrophied feelings. There are some drawbacks to that arrangement, I think.

  • Recantation

    On second thought, I take it back. That business about incentives and rewards. The fact is I don’t really believe that, or if I do it’s only about 25%, it’s only set about with a mass of stipulations and qualifications and reservations. I don’t so much believe it as see that other people have a point when they believe it. Or perhaps I mean I don’t so much believe it as want not to be a silly fatuous naive wool-gatherer who doesn’t understand how the economy works. I don’t want to have the kind of ideas that, if anyone were ever so stupid as to put them into practice, would immediately reduce the economy to a level with Bangladesh’s. So as a result I tend to concede ground that I don’t really concede. I make dutiful noises about incentives, but they’re only dutiful. Because I don’t believe it, I think a lot of that stuff is pure rhetoric and self-interest, is rich people throwing up a smoke screen to veil the fact that they always want more and more money, whether that’s good for the economy or in fact bloody bad for it. More money for me please even if that does mean that all those tiresome poor people can’t afford to buy anything and so the economy tanks.

    And above all I don’t believe money is the only incentive there is. Well I wouldn’t, would I – nobody pays me a dime to do this. Nobody pays me a dime to do most of the things I like to do, I just like to do them. Don’t we all. Do we get paid to look at the sunset, to watch birds, to read Flaubert or Austen, to swim, to go to the theatre? There are such things as intrinsic goods, and intellectual activity is often thought to be one of them. The fact is I don’t really believe that academics at Oxford necessarily become mediocrities just because they don’t have a star system and no one is rushing around to give them a flat overlooking Christ Church meadow and a cottage in the Dordogne. Why should they? If they’d wanted to get rich they would have gone into a different line of work in the first place. Not everyone values money above everything. Academics at Oxford can perfectly well be motivated to write brilliant books and/or teach inspiringly for internal reasons, reasons having to do with thinking the job is worth doing and valuable and interesting. I don’t want to be woolly but I also don’t want to think or even pretend to think that money is the best thing in life.

  • Hobsbawm as de Tocqueville

    Not egalitarianism but individualist, antinomian-but-legalistic anarchism is the core value system in the US.

  • Affirmative Action Debate Continues

    The Chronicle of Higher Education surveys the Supreme Court decision in the Michigan case.

  • Star System

    The Boston Globe has a depressing article about the star system in US universities. Maybe in the great scheme of things it doesn’t matter much, maybe I’m just a Puritan to find it so dreary. But it does seem so Hollywoodish, so rock star-ish, so hype-driven, so silly, so irrational-appeal-based, and hence so anti-intellectual.

    “One couldn’t imagine all of this happening in Oxford, where there’s a kind of gentleman’s agreement that we’re all equally brilliant,” Ferguson says in an interview. “It’s extremely bad form to suggest that one person is as vulgar as to be a star.”

    Yes…well I know what you’re thinking. You’re picturing a crowd of moss-covered mediocrities in Oxford contentedly trudging along the daily round, boring their students into fits and never publishing anything, but by gum they’re all equal. Fair enough. There is something to be said for making a fuss over people who teach or write better than others; for incentives and rewards. I can see that. But do they have to be so enormously better than everyone else’s rewards?

    Star compensation at these “nonprofit” universities can top $200,000 for only a class or two a week, which in turn has widened the divide between haves and have-nots in higher education. Columbia offers fancy apartments with majestic views to woo stars (though not every home is as stunning as Sachs’s town house west of Central Park); meanwhile, part-time faculty who do the bulk of the teaching are forming unions just to fight for cost-of-living wage increases.

    Philip Cook and Robert Frank wrote an excellent book called The Winner-Take-All Society explaining how these markets work and also why they’re not entirely desirable. All very academic.

  • Houdon and the Enlightenment

    Diderot, Rousseau, Franklin, Jefferson, Washington, captured as no one else knew how.