Posts Tagged ‘ Literature ’

Iago and Hippolytus

Nov 22nd, 2012 5:27 pm | By

Ever read Euripides’s Hippolytus?

It’s interesting because Hippolytus is very like a Taliban dude. He loves Artemis and hates Aphrodite, and he keeps telling everyone how pure he is. In short, he hates sex.

It has this one speech of his, starting at line 617…

Oh, Zeus! Why did you bring woman into the light of the sun? Woman, this impure, this evil destroyer of mortals! If you wanted to sow the seeds for the mortal race you should not have done it through women but a price.

Men should be able to just go to some temple or other, put there some piece of bronze or iron, or even some gold –whatever their means would allow- and with

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Social intelligence and the novel

Jul 21st, 2012 11:54 am | By

Patricia Churchland opens chapter 6 of Braintrust, “Skills for a Social Life”:

The social world and its awesome complexity has long been the focus of performances – informally in improvised skits around the campfire, and more formally, in elaborate productions by professionals on massive stages. Among the cast of characters in a play, there is inevitably a wide variation in social intelligence, sometimes with a tragic end, as in King Lear. [p 118]

We’ll be talking about Lear next. That’s a very good description of his problem, his “tragic flaw” – it’s not anything grand or impressive, it’s just babyish clumsy oblivious lack of social intelligence. It causes him to set up a ludicrous “contest” which simply begs … Read the rest

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Hamlet 2

Jul 21st, 2012 10:06 am | By

Let’s continue the Hamlet discussion. There are a million things one could talk about, so let’s talk about a few. (I have a folder of notes on the subject somewhere…I wonder if there’s any chance I could figure out where…)

One item. I noticed once that the word “love” is used often in the play, but it’s almost always used either deceptively or doubtfully. (I didn’t have a computer when I noticed that. It’s trivially easy to collect them all now. There’s something faintly annoying about that.) That fact by itself sums up a lot about the play.

Done badly, that can seem like just teenage angst and self-absorbtion. It shouldn’t be done that way, because it’s not just teenage.… Read the rest

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Lady Catherine

Jul 19th, 2012 4:47 pm | By

When the ladies returned to the drawing room, there was little to be done but to hear Lady Catherine talk, which she did without any intermission till coffee came in, delivering her opinion on every subject in so decisive a manner as proved that she was not used to have her judgment controverted. She enquired into Charlotte’s domestic concerns familiarly and minutely, and gave her a great deal of advice as to the management of them all; told her how every thing ought to be regulated in so small a family as her’s, and instructed her as to the care of her cows and her poultry. Elizabeth found that nothing was beneath this great lady’s attention, which could furnish her … Read the rest

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Hamlet

Jul 15th, 2012 3:21 pm | By

A longish time ago we talked about the idea of doing book discussion threads, or was it Shakespeare threads. One of those. Inspired by Pamela Gay’s urgings to make the world better and do something, let’s get to it.

Let’s start at the top, with Hamlet.

We’ll talk until no one has anything left to say.

I’ll start.

Biggest thing: it’s not [just, or primarily] about A Guy Who Can’t Make Up His Mind. That’s become the boring soundbite about it, and it is very damn boring. That’s not what it’s about. It’s about a million things, and that one is more incidental than most of them.

It’s about everything. I think I mentioned when we were talking about Shakespeare … Read the rest

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Dramatic interlude

Sep 18th, 2011 12:40 pm | By

I’m reading Patricia Churchland’s Braintrust, with much interest and profit.

There’s a great bit at the beginning of chapter 6, “Skills for a Social Life.”

The social world and its awesome complexity has long been the focus of performances – informally in improvised skits around the campfire, and more formally, in elaborate productions by professionals on massive stages. Among the cast of characters in a play, there is inevitably a wide variation in social intelligence, sometimes with a tragic end, as in King Lear. [p 118]

I love that, because it’s not always noticed enough that much of Lear’s problem is that he’s just stupid. He’s stupid in the way that people who have too much status and flattery … Read the rest

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