Publishing v reality

Sex Matters has a new report on Everyday cancellation in publishing.

This research investigates the working environment for authors, agents and publishing staff who believe that sex is binary and immutable, and that it matters in life and law. It was commissioned to investigate widespread but anecdotal reports that publishing has become a hostile environment for people who hold gender-critical beliefs.

That’s an important thing to investigate. Publishing, like universities, journalism, social media, conversation, is how we learn about things: how we learn truths and also falsehoods. We all rely on these institutions and pastimes to get things right, so that we can get them right ourselves, and not fuck everything up by getting them badly horrifyingly wrong. You see what I mean? We want publishing to aim for accuracy and truth, as opposed to systematically and coercively lying to us.

Abuse of those with gender-critical views in publishing has been relentless. People – usually women – have received death and rape threats. Others in the industry have threatened them with reputational damage and loss of work, have used slurs and insults against them, and conflated their views with transphobia, homophobia, racism and other forms of bigotry. Gender-critical individuals working in publishing have been accused of wanting the deaths of trans-identifying teenagers and working towards genocide. There have been industry calls for those with gender-critical beliefs to be demonised, and they have been labelled as fascists for thinking that there are two sexes.

In 2020, the former children’s author Gillian Philip added the hashtag #IStandWithJKRowling to her Twitter (now X) profile. She was then subjected to an extreme 24-hour social-media pile-on that included death threats. Philip’s contract was immediately terminated by her publisher with the tacit support of her agent.

Is that Stalinist enough yet?

Journalists on BBC Radio 4’s flagship women’s-affairs programme Woman’s Hour have not interviewed best-selling gender-critical authors about their books, despite the issues they cover being so relevant to women. By contrast male gender-studies academic Grace Lavery has been interviewed, despite selling only 1,723 copies of Please Miss – A Heartbreaking Work of Staggering Penis. So has Juno Dawson, a male transactivist who also identifies as a woman. Dawson has depicted womanhood as a submissive sexual identity: “I knew I wanted to be ‘the woman’ when it came to sex… It was a conscious urge to get fucked, be penetrated as a woman would be.” It is surprising that somebody with such a perspective, which arguably undermines the position of women in society, has been platformed on a programme about women instead of authors who argue for women’s rights.

Especially when that programme is not on a commercial channel but rather the BBC.

To be continued

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