When you see them

One of the most peculiar accusations against me in Stephanie Zvan’s long, clotted, incoherent, pointlessly cryptic list of accusations (pointlessly because she said at the very end that she was talking about me so why all the “they” and “them” in the list of accusations?) was this one –

When you see them repeatedly deride feminine-identified clothing, grooming, and verbal expressions?

The question behind all the “when you” accusations was “what’s a blogger to do” – so apparently she thinks she ought to “do” something about my putative attitude to feminine-identified clothing, grooming, and verbal expressions. Why? Why would she have a duty to “do” something about that? What business is it of hers? Who asked her? Why would she need to take action on that, even assuming her heavily loaded description is accurate?

I could come up with a long list of Irritating Things About Stephanie Zvan if I wanted to, but why would I? It would be boring, just for one thing. It would also look…kind of…how shall I put this…horrible. Publishing a long, clotted, incoherent list of all the things you Don’t Like About Susan is just a dopy, embarrassing, childish, trashy thing to do. But I could if I wanted to, so neener, Mr Salteena said peevishly.

But the accusation about deriding all the things that are “feminine-identified” stuck in my mind and makes me curious. What the fuck is that even supposed to mean. Am I supposed to be “femmephobic” now, is that the idea? So I Googled femmephobia. One of the first items is an article by J. Bryan Lowder in Slate last March about a gay actor named Russell Tovey.

After a stimulating meditation on the actor’s newly fleshed-out physique, reporter Tom Lamont gets Tovey talking about his journey as a gay man, especially as it developed after a homophobic attack (triggered, Tovey reasons, by his wearing a cardigan) 10 years ago, which left him with a scar. Tovey’s story is harrowing, and the trauma he experienced must be taken seriously. That said, his processing of that trauma through damaging femmephobic rhetoric—the kind that values traditionally masculine-performing gay men above their more effeminate brothers—is a problem.

Ah, that – yes I’m aware of that, and it sucks.

If that were the end of the comments, I don’t think we’d be seeing so much outrage from gay writers and fans online. It’s this next bit, focused on Tovey’s early career and schooling, that is really drawing ire:

I was so envious of everyone who went to Sylvia Young Theatre School. I wanted to go but my dad flat-out refused. He thought I’d become some tapdancing freak without qualifications. And he was right in a way. I’m glad I didn’t go. That might have changed … I feel like I could have been really effeminate, if I hadn’t gone to the school I went to. Where I felt like I had to toughen up. If I’d have been able to relax, prance around, sing in the street, I might be a different person now. I thank my dad for that, for not allowing me to go down that path. Because it’s probably given me the unique quality that people think I have.

*clutches head*

What’s wrong with being able to relax, prance around, sing in the street?

The more men who do that the better, that’s what I say.

But then relaxing, prancing around, singing in the street – those are all good things. (Ceteris paribus – singing in the street is not so cool at 4 a.m., but you know what I mean so just behave yourselves.) Some “female-identified” practices are not such good things, in my view, and I think feminists are allowed to be critical of them. Footbinding used to be a “female-identified” practice in China and I don’t think it’s femmephobic to disapprove of footbinding. FGM is a “female-identified” practice in many places now; I frown on it; I don’t consider that femmephobic.

But it’s nice that Stephanie Zvan got all that out of her system, at least.

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