The cast is notably international

Laurence Tribe observed on Twitter that the cast of Casablanca included only two actors born in the US, which I found interesting.

I misspelled Henreid. At any rate, Tribe was making a point about immigrants, and a couple of people replied to pick nits and he deleted the tweet, but it was interesting and he was right. The foreign cast was notable at the time. Wikipedia:

The play’s cast consisted of 16 speaking parts and several extras; the film script enlarged it to 22 speaking parts and hundreds of extras.[13] The cast is notably international: only three of the credited actors were born in the United States (Bogart, Dooley Wilson, and Joy Page).

  • Conrad Veidt as Major Heinrich Strasser. He was a refugee German actor who had appeared in The Cabinet of Dr. Caligari. He fled the Nazis, but was frequently cast as a Nazi in American films. A major star in German cinema before the Nazi era, he was the highest paid member of the cast despite his second billing.[20]
  • Peter Lorre as Signor Ugarte. Born in Austria-Hungary, Lorre fled Nazi Germany in 1933 after starring in Fritz Lang‘s first sound movie, M (1931). Greenstreet and Lorre appeared in several films together over the next few years, although they did not share a scene in Casablanca.
  • Curt Bois as the pickpocket. Bois was a German-Jewish actor and refugee. He had one of the longest careers in film, making his first appearance in 1907 and his last in 1987.
  • Leonid Kinskey as Sascha, the Russian bartender infatuated with Yvonne. He was born into a Jewish family in Russia and had immigrated to the United States.

There are a bunch more in the bit parts.

Much of the emotional impact of the film has been attributed to the large proportion of European exiles and refugees who were extras or played minor roles (in addition to leading actors Paul Henreid, Conrad Veidt and Peter Lorre): such as Louis V. ArcoTrude BerlinerIlka GrünigLotte PalfiRichard RyenLudwig StösselHans Twardowski, and Wolfgang Zilzer. A witness to the filming of the “duel of the anthems” sequence said he saw many of the actors crying and “realized that they were all real refugees”.[25] Harmetz argues that they “brought to a dozen small roles in Casablanca an understanding and a desperation that could never have come from Central Casting.”

So this isn’t right:

It’s not that simple. Much of Hollywood was always conservative and conventional, sure, but much of it was not. There were plenty of lefties there in the 30s, who were either turned or driven out in the late 40s and 50s, but the purge hadn’t started when Casablanca was made. It was a Popular Front-ish, defeat the Nazis, welcome refugees sort of movie. Tribe’s point was well taken.

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