Sad sad sad. Sunny at Liberal Conspiracy – see comment 12:

I buy Jonathan Dimbleby’s arguments:

First, even the editor agreed that printing the images were not central to the story anyway since the Yale Press was central to the story. So it’s not censorship. Printing them would be gratuitous.

Really. The images were not ‘central’ to the story because Yale Press was central to the story. Well what about Yale Press was central to the story? Its pretty blue eyes? Its taste in music? No; its withdrawal of illustrations from a book about a controversy about those illustrations. So in what sense were the illustrations not central to the story? Who decides what’s central? Since when is reporting supposed … Read the rest

Jonathan Dimbleby said one particularly odd thing in his explanation of Index’s decision.

When John Kampfner alerted me to the prospective publication of an interview with Jytte Klausen and to our editor’s wish to illustrate it with the “offending” cartoons, it was plainly a matter for the board to determine. Any other course would have been irresponsible…A year earlier, in September 2008, four men had been arrested for allegedly fire-bombing the North London home of the publisher of Gibson Books who had proposed publishing The Jewel of Medina. Only the most cavalier attitude towards the safety and security of those directly and indirectly involved in the publication of the Index interview would have failed to note that outrage.

Wait…what? … Read the rest

So Index on Censorship runs an interview in which Jo Glanville talks to Jytte Klausen about Yale University Press’s refusal to publish the Motoons in Klausen’s book on…the Motoons.

Not only were the cartoons removed from the book, but historic illustrations of Mohammed that Klausen had wanted to include to illustrate her thesis were also omitted. When the story leaked to the American press last summer, Yale was widely criticised for undermining academic freedom. Christopher Hitchens described it as “the latest and perhaps the worst episode in the steady surrender to religious extremism”.

Klausen points out that the cartoons were necessary for what she was attempting to do in the book.

In the book, and it was written with this