Inanely grinning

Jean Hatchet points out that Dylan Mulvaney is mocking us and we don’t like it.

Shortly before this year-long, very public “transition”, Mulvaney performed a pilot video for his current lucrative act. In it he told the viewer that he “had trouble finding roles” so a friend had invented one for him, a “femme character”. His character wears a pink dress and pearls, white gloves and ankle socks. At this point Mulvaney must have been delighted to glimpse a potential new career path. It was a very savvy move for him to extend and develop this caricature of a 1950s woman. Now, just over a year later, Dylan Mulvaney has highly paid “partnerships” with a number of companies including Budweiser, Kate Spade and — during the past week, to great objection — the Sportwear giant Nike.

For what? For an extended smirky insulting parody of women.

Imaging a white man reviving the old minstrel show parody. Imagine how much the left would applaud and reward and defend that.

Darling, right? Hilarious? Innocent playful fun?

Of course not.

So why is it ok when he does it?

In an inflammatory paid partnership video with Nike, an inanely grinning, barefoot Mulvaney wears a Nike sports bra and leggings. He performs a series of ridiculous moves including comedic side stretches, a theatrical run kicking his heels up nonsensically and failed chorus-line high kicks. He almost runs backwards into a hedge at one point and pulls a comedy expression of shock. It all looks ridiculous and slapstick. It mocks women by suggesting they exercise trivially and ineffectively, but smiling throughout. 

Why is it ok to mock women when it’s not ok to mock black people or indigenous people or southern hemisphere people?

Along with these grotesque parodies of womanhood, he promotes products with zero shame, grifting whilst gurning and gaslighting women. Shortly before he began this career-saving venture of “being a girl”, Mulvaney can be found mocking a female cheerleader in a sketch where he pretends to break his leg. He has honed and perfected these earlier attempts to portray women as weak and stupid, and he deflected attention from them by declaring himself a woman. Gender identity is once again the smokescreen for misogyny, and negative criticism leads to an award-worthy performance of his being hurt and bullied. Mulvaney simply reverses the victim and offender. Women are bullies, he is the target. Many women recognise this pattern from relationships with abusive men. 

Mulvaney is an abusive man.

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